These are two brawny bad ass police officers standing on patrol outside the courthouse where suspect Faisal Shahzad is on trial for attempted bombing in Times Square last week.
Last night my lovely wifey, Miss Shannon called me from Paris at midnight (her time aka 6pm NY time) - which was magical because I was still in 2009. Do you understand the magic of the situation? She was already in 2010! I asked her if she needed anything back in 2009 or if she had forgotten to do or get something but she declined, deciding instead to go full steam into the new year. No, she is not a boat. Anyway, I'm glad the new year has begun although I have yet to decide what resolutions I'll be making...
I'd also like to point out that the televised version of NYE 2010 at Times Square (congrats to Nivea and Toshiba for the amazing marketing schemes btw) has become less and less PG-13 as they continue to show couples making out for the camera because awww it's so cute we're on TV and it's new year's! Um, no. I do not want to watch you tongue your girlfriend on television while I'm trying to enjoy drinking too much champagne with some old friends. Although, I must admit, making fun of you doing so is a wonderful and hilarious distraction to the fact that you at least got up and went out. Although, I had an amazing time with the gummy bear war and champagne-pong galore (WOOOT I see rhyming is BACK in 2010).
P.S. As part of my NYE outfit, I got cuffs! As in wonder-woman. As in amazing! So very fun to wear - I felt like someone could be shooting an AK-47 at me and I would be able to deflect each and every bullet with my wrist-eye coordination. Boom!
Let the games begin!
I'd like to know how they're going to make 2011 glasses...
Tim Burton knows how to make gruesome, vile and morbid visuals hilarious. His artistic style is fluid, detailed and colorful all at the same time and I thoroughly enjoyed walking through the expo at the Moma last weekend. Wait. I should really say "waddling" instead of walking because I've never seen so many hipsters and children in my life. It was packed and I am thankful I bought tickets online beforehand because I certainly don't think I would've been able to get in without doing so. Either way, Tim Burton's twisted style was beautifully presented (black lights to make the neon pop out as 3D, some "making of" videos here and there, audio, story boards, sculptures (about 20 of Jack's (from the Nightmare Before Christmas) clay heads with different facial expressions), THE Edward Scissorhands costume, Batman masks, all sorts of things from Mars Attacks and so many more trinkets, doodahs and watchamacallits), even though he says that he had "never really considered [this stuff] to be art or artwork mainly because it was not meant to be seen really - it was mostly the thought process when [he] was working on movies".
Part of the advertising campaign (as seen next to the S train in Times Sq.) It reminds me a little bit of Edward Gorey's "The Ghastlycrumb Tinies". If you don't know about that little 26 page book, you MUST check it out here.
Ok, back to SeƱor Burton:
One of my favorites. Macabre yet mirthful.
"Loghead discusses with
his psychiatrist his
recurring nightmare
about a crazed lumberjack
and a fireplace" Evil cupid. I love the way he does the lines - if you look at it closely, the hands and feet are very bizarre yet somehow perfect for the overall wicked effect.
Some amazing photos of the exhibit by Kevin Colombu (as usual, beautiful pictures even though he had to be one zneaky photog to get them):