Showing posts with label kate and laura mulleavy. Show all posts
Showing posts with label kate and laura mulleavy. Show all posts
Saturday, June 4, 2011
Elle Fanning x Rodarte
I know it's a little old, but I just saw it. Yeah, yeah... Cinematographic-ally speaking, it's quite beautiful.
"Hollywood's latest darling, Elle Fanning, goes digging for buried treasure in Todd Cole's new collaboration with Rodarte, The Curve of Forgotten. The film highlights design duo Kate and Laura Mulleavy's spring 2011 collection, which drew inspiration from 1970s northern California, referencing Redwood forests, the gold rush and Asian influences. The Somewhere star pirouettes through the empty rooms of the historic Baldwin House (which sits on an oil field in LA's Baldwin Hills), her outfits magically changing from one room to the next. Shot on a RED camera using Cooke lenses from the 70s, the short's dusty focus references seminal movies of that era, such as Terrence Malick's Badlands, while Georgia-based indie rockers Deerhunter provide the dreamy soundtrack. As for the title, Cole explains: "It's the title of a Richard Brautigan poem. The poem and the film are about forgotten things—circles and the curve of time." The film follows on from last spring's intergalactic project that Cole shot with Rodarte and comes at an extraordinary moment for the designers, whose dazzling costume contributions to Darren Aronofsky's Black Swan will form part of their upcoming solo exhibit at MoCA."
Sunday, February 7, 2010
Tribalations

I have a new idea. I just need to figure out how to do it.
I remember back in September '09 or so, Rodarte had all these tribal designs drawn on the model's bodies for the runway show. It was supposed to be henna-inspired make up because MAC senior artist Chantel Miller wanted people to see make up almost as an accessory to ones outfit, something that can be worn on the body as well as the face. The looks of the show were ultimately created by the team of Miller, Kate and Laura Mulleavy of Rodarte and James Kaliardos of MAC; there ended up being four different full sleeve, one neck and eight half-sleeve tattoos, defined as "futuristic tribe". (Images via MAC & La Roux)
BUT the plot thickens... the suspense arises... , I then saw La Roux's jacket (below) and decided that I need to figure out how to do something similar that involves nothing permanent. So the problem becomes how to create the look - ribbon on jacket? paint on jacket? Ideas as to how this can come to fruition?
Song of the day (which, in turn, inspired the title of this post): LCD Soundsystem - Tribulations
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